Reflection Polo: Men's Band Collar Polo Shirt in 240 GSM Cotton

The Reflection Polo is a short-sleeve polo shirt in a dense 240 GSM cotton knit, with a ribbed band collar and a three-button placket. It exists for one problem. Most men own a t-shirt that is too casual for a meeting, and a shirt that is too much for a Cairo afternoon. Nothing sits between the two, and this is the piece that does.

An RR monogram is embroidered at the left chest. Cuffs are ribbed, the hem is gently curved, and the collar stands on its own without a lapel. Four colourways, sizes M to 2XL, 750 EGP, cash on delivery.

Everything below is what to check before you spend that money. It covers the knit, the collar, and each colour argued on its own, because the four are genuinely not interchangeable. Then fit, wearing, care, and what the courier will ask you for.

The knit, and what it feels like in your hand

The cloth is 95% cotton with 5% Lycra, knitted at 240 grams per square metre. That weight is the first thing you register. Hold it up to a window and nothing comes through it. Run a thumb across the face and there is a low, even texture under it, felt more than seen. It reads as shirting rather than as something built for a winter.

The 5% Lycra is the other half of that, and it is not there for stretch in the gym sense. It is what lets the ribbed collar and the ribbed cuffs go back to their own shape after being pulled over a head and pushed up a forearm. Rib without it goes slack by mid-afternoon and stays slack. The neckline you unpack is the neckline you still have a month later.

How it hangs

Dense and fully opaque, so nothing shows through it in daylight. There is enough body in the cloth to fall from the shoulder in a straight line. It hangs rather than clings, which means it does not trace the chest or the stomach. That one property is why it works under a jacket and why it also works alone.

The yarn

Spun staple yarn, not filament. In practice you can see it: a fine halo of short fibre ends stands up off the surface, catching light softly instead of reflecting it. The finish is matte: no sheen, no lustre, nothing that flares under an office ceiling light. Set beside a shiny polo the difference is immediate.

Heather Grey is the one colourway where the yarn is visible as a design in itself. Its fibre is melange, meaning several tones are twisted into a single strand before the cloth is knitted. Look closely and lighter and darker greys share the same thread.

Why a band collar behaves differently under a jacket

A band collar has no points, so there is nothing to lie flat and nothing to ride up. It is a closed ring of rib standing the same height all the way round. Under a jacket that matters more than it sounds. A polo collar is two flat leaves joined at the back, and leaves flip.

Put a jacket over a polo and the lapel presses one leaf down while pushing the other out. By mid-afternoon one side is under the lapel and the other is over it. Nobody notices themselves doing this, though everybody notices it on someone else. A band collar cannot do it, because it has no leaf to move.

The placket

Three buttons, all real. Fastened, the collar closes into a neat circle at the throat and the piece reads as a shirt. Opened, the placket falls into a short soft V and the piece drops a register. Same garment, two registers, and the change takes a second.

Cuffs and hem

Ribbed cuffs keep the sleeve sitting where you put it. A plain hemmed sleeve slides down the arm across a long day. At the bottom, the hem is gently curved rather than cut straight, so it sits tucked without bunching and sits loose without looking like an accident.

The four colourways, argued one at a time

These are not four versions of one shirt. Two carry contrast trim in a second colour, two are tonal, and the flat measurements are not identical across all four. Pick the colour first. Then read that colour's numbers.

Black

Black is tonal, and the shade is a deep near-neutral (#201E22) rather than a blue-black. Collar, cuffs and body are one colour. The monogram is worked in white, and it is the only break on the whole piece. Buy this one if you want the garment to recede and the man wearing it to be what people register. It is also the shortest cut of the four.

Cream, with white trim

Cream is the most designed of the four. Its body is a warm off-white (#F4E8E2) and the collar and cuff ribs are a crisp true white set against it. That two-tone edge is visible across a room, and the monogram is crimson. Choose cream when you want the piece to look decided rather than default, and pair it with a dark trouser, which is what it rewards.

Heather Grey, with lilac trim

Heather Grey is the only melange here, and its trim is a pale lilac rather than a matching grey. That lilac is the whole decision. On a hanger it looks like a risk, but on the body it reads as a soft cool grey (#B7B1B3) with a lift at the neck and the wrist. Mid-grey is the easiest of the four to wear in daylight, because it commits to neither the black nor the cream.

Crimson

Crimson is tonal and deep, a true red (#BD0733) with no orange in it. Collar and cuffs match the body, so the colour arrives as one block with no edge to soften it. Its monogram is ivory. This is the loudest of the four, and the least common thing a man wears to a Cairo office, which is the entire argument for it.

One practical consequence

Black measures 55 cm across and 68 cm long at M. Cream and Heather Grey measure 54 by 72. Crimson measures 55 by 70. Same letter, three different garments, so read the row for the colour you are actually ordering.

How to choose between two sizes

The cut is a regular fit, and every figure on this page is measured flat with the piece laid down. Width is half the chest, so double it for the full circumference. A 55 cm width is a 110 cm chest. Length runs from the highest point of the shoulder down to the hem.

Check it against a top you already own

Take a top you already wear and like. Lay it flat, fasten it, and measure straight across from one underarm seam to the other. Compare that number to the Width column in the size chart under the size buttons, not to your own chest. Doing this takes two minutes and it is the fastest way to avoid a refused delivery.

Between two sizes

Decide by how you actually wear a shirt. Tucking pushes you up to the longer size, because a tucked hem needs length to stay down when you sit. Wearing it loose pushes you down to the smaller size, since extra length on an untucked hem covers the pocket line. Broad shoulders on a flat waist should take the wider size and accept the extra length.

Every colour and size, with the measuring method written out step by step, is on the size guide.

Wearing it to an office, and after

Buttoned, with charcoal or black trousers and a leather shoe, this reads as business casual in any Egyptian office that does not ask for a tie. The band collar does the job a shirt collar would do, and there is no collar point to press. Add an unstructured jacket and nothing at the neckline fights it.

Later, open the placket and change the shoe. Same trousers, clean white sneakers, and the piece drops a full register without looking like effort. That is the argument for owning one rather than owning two.

What to avoid

Skip a tie, since a band collar has no room for one and no way to hold it. Skip a heavy chain over a closed collar too. The rib already draws a line at the throat, and a second line there is one too many. Keep the trouser dark and clean, and let the colour of the piece be the only decision on display.

Looking after it

Wash it cold and inside out, with similar colours. Turning it inside out protects both the monogram and the raised face of the knit, which is where all the texture lives.

• Machine wash cold, inside out, with similar colours.
• Do not bleach.
• Tumble dry low, or lay flat to dry to protect the shape.
• Warm iron if needed, avoiding the embroidered monogram.
• Do not dry clean.

Do not hang it by the shoulders while it is wet. Fold it instead, or lay it out flat. Weight plus water plus a narrow hanger is what pulls a rib out of round.

How cash on delivery works here

What you pay, and when, depends on your governorate. In Cairo and Giza you pay nothing when the order is placed, and the courier collects the whole amount in cash when the parcel reaches you: the 750 EGP piece plus delivery for your region. In every other governorate half the order value is transferred first, on the phone call we make to confirm the order, and the courier collects the other half at the door. Cash is currently the only payment method on this store and no card details are taken at any point.

Outside Cairo and Giza those totals are still what the order costs. The difference is only in how it is split: 50% is transferred after the call we make to confirm the order, and the rest is paid in cash at the door. We give you the transfer details on that call and we never publish them, so treat any payment request that did not come from that conversation as suspect.

Three habits make a cash delivery go well. Answer your phone, because the courier calls before arriving, and an unanswered call is the most common reason a parcel goes back. Have the amount ready. Open the box and check the colour, the size and the piece itself as soon as it arrives.

Rates are listed governorate by governorate on the shipping and delivery page. For anything that page does not answer, ask us before ordering rather than after.

Questions people ask before ordering

Is this a heavy winter knit?

No. It is a 240 GSM cotton knit with short sleeves, drawn for an Egyptian summer. A winter thermal is a heavier cloth for a different season, and this is not one.

Can it go under a blazer?

Yes, and the band collar is the reason. Having no points to flip or gape, it keeps one clean line at the throat whether or not a lapel is sitting on top of it.

Is it see-through?

No. The cloth is dense and fully opaque, including in the cream colourway, which is where thin knits usually give themselves away.

Does it need ironing?

A warm iron is safe if you want a sharper finish. Keep it away from the embroidered monogram, which is the only part of the piece an iron can damage.

What is the RR at the chest?

That is the Rflx monogram, embroidered rather than printed, and it is the only marking on the garment. Its colour changes with the colourway: white on black, crimson on cream, ivory on crimson.

What if the size turns out wrong?

Check the parcel at the door before you pay, which is the point of buying this way. If something is not right on arrival, contact us the same day with your order number.

This piece sits in the polo shirts collection, and the thinking behind the brand is on the about page. Each colourway is argued at length on a page of its own: why black earns its place first, what cream is actually for, how a melange grey behaves in daylight, and when a red shirt is the right call. Two further pages take the same garment from a different angle: the classic page and the summer page.